Photo © Rui Camilo

Ernst von Siemens Musikstiftung Composer Prize 2022

I am delighted to share that I have been awarded a Composer Prize by the Ernst von Siemens Music Foundation. It’s a huge honour.

More information can be found on the Foundation’s website here


Next live performances

Wittener Tage für Neue Kammermusik, 07. May 2022 : >Landscape< for vocal ensemble, premiere. EXAUDI dir. by James Weeks 


National Concert Hall, Dublin, 08. June 2022 : >passing. vanishing< for solo cello, premiere. Kate Ellis


Davos Festival, 19. August 2022 : New work for violin and viola


Klangspuren, Innsbruck, 12. September 2022 : New work for Riot Ensemble



Sarah Dacey performing >vestige<

commissioned as part of the Riot Ensemble’s Zeitgeist Commissions, >vestige< was  premiered at the Wigmore Hall in February 2021


“haunting and memorable” 

The Times 













Quatuor Bozzini performing >String Quartet no. 2< 














Royal Philharmonic Society Award for >I am, I am<

In November 2020 >I am, I am< was recognised with the award for Chamber-Scale Composition

Written for soprano Juliet Fraser and the Sonar Quartett

About I am, I am

Listen to an extract of I am, I am 

RPS Awards

GUARDIAN review of world premiere of >I am, I am< at hcmf// 2019



New Portrait CD  - Lines and Spaces  -  released on WERGO

Edition Zeitgenössische Musik Portrait CD  WER 64312 was released with recordings of 

>Music for Europe< / > Lines and Spaces< / >String Quartet no. 2<  / >Words< 

Featuring Ensemble Adapter, Quatuor Bozzini, Richard Uttley, Omar Ebrahim and the London Sinfonietta. 

Edition Zeitgenössische Musik 

WERGO


REVIEWS 

“ arresting output”

Gramophone review 


ein schillernd melancholisches Klanggewebe” 

Neue Musikzeitung review


“baffling, beautiful and perfectly balanced”

5against4 review 


“a timely portrait of one of the most distinctive younger voices in British music today”

The Guardian review



TEMPO article by Christopher Fox

In-depth article >From One Vessel To Another< about pieces written over the last decade

©2022 NAOMI PINNOCK